On the heels of a potentially-life changing operation on her vocal cords late last year, Cyrus’s voice has a rasp that evokes the brash honesty of icons like Pat Benatar.
On “Golden G-String” she articulates this best: “There are layers to this body / Primal sex and primal shame,” she sings, “I was tryin’ to own my power / Still I’m tryin’ to work it out / And at least it gives the paper somethin’ they can write about.” She has certainly given the papers something to write about with this record, a transparent and candid journey through the depths of her conscience. She has fully embraced the dark side that has always been present in each of her public personas - the bright-eyed teen, the rebellious twenty-something, the hypersexual nymph - taking all the facets of her personality in stride to create the most fully realized version of herself yet. Everything that Cyrus brings to the table in any venture is present in the album’s 15 songs, including two covers that the singer performed in the lead-up to its release. Plastic Hearts is equal parts anthemic and introspective, hard-rock and disco-pop. This record presents a fresh perspective on Cyrus as not only a pop star but a newfound rock star as she makes use of her voice’s latent grit. On Plastic Hearts, Cyrus has fully embraced this new lease on life, reflecting on her birth by fire into celebrity adulthood, divorce and a roller coaster of becoming who she truly wants to be. There has been an audience for every choice and misstep that Cyrus has made in the past fifteen years of her life, and that kind of pressure can either break a person or force them into a new sense of identity.
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Whether we knew her as the doe-eyed teenager on the TV screen or the scantily-clad dancer with her tongue sticking out, the musician’s rocky road toward a true sense of self was never private. The Miley that we watched for years on “Hannah Montana,” the girl that tweens of a certain age all wanted to be, the girl that we saw go through the trials and tribulations of growing up under the gaze of an unforgiving public eye. “I know that you’re wrong for me / Gonna wish we never met on the day I leave,” she howls.We all know the old Miley Cyrus. On the vulnerable midtempo “Angels Like You,” she learns to let go and realizes that the relationship was not meant to be - even if everything looked A-OK from the outside looking in.
“Am I wrong that I moved on, and I / And I don’t even miss you / Thought that it’d be you until I die / But I let go,” she sings over electric guitars and a stadium-rock beat.Īs Plastic Hearts progresses, though, the Hannah Montana alum’s heartache morphs into self-reflection. Right from the jump, she dives into their 2019 split with “WTF Do I Know,” her most savage kiss-off since “7 Things” from 2008’s Breakout. Much of the album is inspired by Cyrus’ divorce from Liam Hemsworth. She also brings Dua Lipa along for the ride of a lifetime with their badass, unintended quarantine anthem, “Prisoner.” Miley Cyrus Through the Years Read articleĪcross 15 tracks, the singer, 28, embraces being utterly unapologetic and secures her place among rock royalty thanks to collaborations with the legendary Billy Idol, Joan Jett and Stevie Nicks.
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